This exhibition features four Indigenous artists who work intimately with skin. It explores the act of working with skin as connection to life: people, animals, the earth, and oneself. Skin is a barrier and a form of protection, but it is also permeable and changeable. Traditionally, animal skins have been transformed into rawhide and leather for use as homes, clothes, footwear, and musical instruments since pre-history. Animal skins become a second means of protection, but also a means of self-expression and decoration. Similarly, tattoos can become clothing, protection, self-expression and decoration as a tradition in many cultures around the globe. Not only are the end products protective and beautiful but so is the creation process through the artists’ self-extension through touch, sight, and even breath as acts of deep love and care for the world around them.
Guest curator, Stacey Fayant is a Métis, Nehiyaw, Saulteaux and French visual artist from Regina, SK. Her art practice focuses on concepts surrounding identity and trauma in relation to colonialism and racism, but also in relation to healing, family, and community. She works in many mediums and is an Indigenous Cultural Tattoo Artist involved in the revitalization of Indigenous Tattooing here on Turtle Island.